Model Railroad Blog

Color Layers & Color Spectrum

Color Layers

It’s safe to say I’ll never be accused of being a cultured art critic.  That aside, in the last year I’ve had the chance to visit some of the more notable art museums on the east coast and attended a number of art festivals.  The difference in a painting done by one of history’s masters versus a very skilled regional amateur isn’t immediately apparent to the unskilled eye of somebody such as myself.  Over time though you do the notice the difference.   It’s hard to define but there is a lack of depth or flatness in the work of the beginning artist and an equally hard to define depth and snap to the work of the master.

The same applies to model railroading and it’s taken awhile to put my finger on it.  It has to do with how many color layers we use and how skillfully we blend colors that are just a small step beside one another on the color spectrum.   The fewer the colors and the harsher the transition, the less realistic our results.  For example if we just use a single color tan soil to model the scene above it will only look average at best.  If, however, we are able to separate out four, five or six layers of tan, all very close to each other on the spectrum (but not identical) and very artfully feather them together the look quickly improves.  As you examine the photo above, notice the soil is not just a uniform tan.  There are multitude of grays, browns, and muddy blends throughout.  I’ve highlighted just a few of the areas to illustrate my point.

Getting there isn’t easy which is why we often fall short.  First, we have to recognize that the issue exists at all.  Second, we have to pin down the illusive question of “what color is that anyway?”  Third, we need to develop skills in subtly blending the colors so the transitions aren’t harsh.   If you follow the weathering tutorials on The Rust Bucket Forum you can get a sense for how many layers the guys use and how much effort is devoted to subtly blending colors and not having harsh edges.  Finally, we don’t do it for the simple reason that it takes more time to work with a blend than one color.

Creating the number of colors we need is easiest with paint.  Manufacturers such as Model Master have a massive range of colors. In addition, we can and should, also mix our own colors to get the look we want.  With soils it’s harder but can be done.  Between Arizona Rock and Mineral and Scenic Express enough soil colors exist that they can mixed into most custom colors we would need.  Grass is trickier because there are fewer colors available in the grays and browns.  Even there, working in Heki’s Prairie Grass as a base goes a long way in breaking up uniformity.

Modeling From A Suitcase

From time to time I get emails from active duty military along the lines of “Can’t wait to get back stateside so I can start model railroading”.   Variations on this theme are,  I can’t wait until: I’m out of college, have a house, don’t travel so much etc.   Been there, done that.

Such a mindset, while understandable, is limiting, unnecessary, and wastes a tremendous amount of time that could be devoted to both developing necessary skills and producing smaller, more portable items, that you’ll need when you eventually do have a layout.   Why wait two, three, four years when you can start now?  Pushing the day you start seriously immersing yourself in the hobby puts you in the position where, when you do have the space, you won’t be in a position to utilize it effectively.  You won’t have the skills.   Starting a skills building program NOW is energizing, creates momentum, and puts you in a position for a quick launch when you do have room for a layout.

“But I don’t have any space and am constantly on the move, how can I accomplish anything with my mobile lifestyle?”

Some of the most important skills can be developed with extremely inexpensive materials that would fit in a shoebox.   Some ideas:

Weathering:  Nothing makes a larger contribution to the overall look of a model than effective weathering.  It’s an art, but one that can be learned if you are dedicated.  Set a two year goal of being able to create the necessary subtleties, color effects, and color edges to make your models stand out.   All of the tutorials you need are available on The Rustbucket Forum.  Materials you’ll need:  one tube each of burnt umber and black artist oils, a can of Dullcote, a brush, black and brown weathering powders.  The guys on the TRB don’t use airbrushes.  It appears their preferred medium is acrylic craft paint.  Set a goal of having ten mind blowing cars ready by the time you return stateside.

Utilities:  Vertical elements, particularly utility and light poles, make a tremendous visual impact if well executed .  Accurate representations involve a fair amount of scratch building and will take a considerable amount of time to build. It’s time well spent.   The parts are cheap and readily available.  The finished poles take up very little room.  Parts needed: bamboo skewers, scale lumber, insulators, spring wire, stain, and transformers.

Line side details:  Details such detailed cross bucks, signage, electrical cabinets, switch stands, etc.  add to the overall scene and can be built in a hotel room and stored in the smallest of boxes.

Track:  While highly detailed track isn’t practical for even modest layouts, learning to hand lay and detail track and make your own turnouts is a skill that will pay off in numerous ways in the decades to come.  Why not teach yourself to scratch build a hand laid turnout.  The cost is nominal and individual turnouts are easy to store (or even mail back home).  You’ll need: wood ties, stain, rail, tie plates (from Proto 87 Stores), a file, glue, and small drill.

Look a head two years and imagine finally walking into a usable model railroad space and having a small fleet of exquisitely weathered rolling stock, a few stunning hand laid switches, and boxes of necessary line side details and utility poles.  Of far more importance imagine being well into the learning curve and ready to launch when the opportunity presents itself.