As I mentioned in my last post, the last thing anybody wants to do is spend hours and hours on a structure only to find that, after putting it on the layout, it doesn’t fit in the way you expected. It’s not something that can be worked out on paper either. Mock ups are a quick way to get a sense for overall shapes and proportions, possible problem areas, and features you may want to omit. The mock up above was made out of foam board and is more developed as far as final shapes and lines than what I posted previously. It wouldn’t make sense to model the entire Jai Alai complex but, as luck would have it, I do have space for the primary structure.
With no projects that really moved the needle for me, I took a few months off from the layout. I knew that if I consumed enough craft beers, and took enough naps, eventually something in the way of an idea would float up from the bottom of the pond. And….eventually it did. That “something” being Miami Jai-Alai (pronounced Hi Lie). Jai-Alai is vaguely similar to handball and, although not mainstream, is exciting to watch. Unfortunately, its strong links to gambling keep it from rising to the prominence it deserves. It’s played in large arena’s called “frontons” and was even featured in an episode of Miami Vice. The Miami Jai-Alai Fronton (now also a casino) is massive and sits directly across from FP&T.
From a modeling standpoint it solves a number of issues with the layout. One of the problems with my design is that, from a compositional standpoint, it’s overly symmetrical both vertically and horizontally. As you enter the layout room you are presented with a grid like sea of fairly similarly sized cubes, all of equal height. The arena’s large size would break the uniformity up, particularly in the vertical plane. Second, in an earlier blog I mentioned that it bothered me that, upon entering the room, the entire layout unfolded in front of you. I toyed with the idea of using backdrops to break up the sight lines but was (thankfully) talked out of it by every single modeling friend of mine. Again, because of it’s height, the Jai Alai fronton blocks the view of everything behind it, solving the view block problem naturally. Finally, the structure has a massive logo on the front that serves as a marker letting you know that you are, in fact, in Miami.
Here’s where the structure is located on the layout.
Before investing many hours building a structure, it’s always a good idea to build a mock up first to see how it will look in 3D and how it will fit into an overall scene. I added an inch to the height of the structure to make sure it blocked the view of the layout behind it.
In terms of construction the structure is fairly simple. One challenge will simply be it’s large size. The second will be modeling the sawtooth awning on the first floor. It looks like I’ll have plenty to keep me busy during the cold winter model building months.
Many modelers sit on the sidelines, feeling they simply don’t have the time to build a layout. I recently posted a blog on my business site discussing design strategies for dealing with the issue.
Shown above is the finished renovation of Kiko’s Wholesale. I’ve learned a little since I first started experimenting with photo laminates many years ago. I used to look for photos with very few shadows and then photo shopped out any that remained. I now do the opposite, intentionally looking for images taken on sunny days and leaving all shadows in place. Also, early efforts used essentially flat surfaced cores. I now build in a lot more relief (insets etc.)
One of the more interesting scenes on the layout, both visually and operationally, is where the switchback makes a totally blind crossing of a very heavily traveled 12th Avenue into The Miami Produce Center. Switching the industry is particularly challenging because the view northward up the street is totally obscured by a business called Kiko’s Wholesale, a mom and pop version of 7-11. The model of this structure was one of the first I took on when I started the layout in 2008. I had what I thought was a great idea at the time to represent the rough stucco walls. Some digging on the net turned up a rough textured paper used by water color artists. Off I went, producing the images for the laminate and printing them on the artists paper. Unfortunately, it didn’t handle ink over the long term at all and became severely faded. The good news is that I only used this paper once. Thirteen years after the fact it’s time to give Kiko’s a facelift with new laminates and more surface relief. That’s the project on the work bench now.
I spent the better part of a day finishing the artwork for the photo wallpaper and printing out three copies of each wall. Next up is producing the laminates.
