Model Railroad Blog

4722 South Everett

4722z

One of the more prominent structures seen in some of the LAJ YouTube videos is the faded gray two story on the southeast corner of S. Everette Avenue and the Horn Lead.  The colors and weathering are complex enough that I plan to use the photo laminate technique.  What makes that method a little more challenging here is that the windows are noticeably inset from the structure face.  To capture that relief I’ve modeled the insets in the core.  Since I need perfect alignment between the holes cut for the windows in the photos and the relief in the core, I had to print the photos, cut the windows in the photos and then use them as a guide to cut the openings in the core.

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Shown above is the completed core.  Notice that I’ve painted the edges of the insets the same light gray as the structure.

Our Hobby and the Press

MagCovers

 

If I had to pick one entity that is the lifeblood of our hobby, I wouldn’t even have to stop to think about it.  Without question, it’s the model railroad press, particularly Model Railroader, Model Railroad Hobbyist, and Railroad Model Craftsman.  The healthier the magazines are, the more robust their circulation, the better for the hobby as a whole. In the pre-net days the model railroad press served as the town square, the central rallying point for all of us.  It provided inspiration and leadership.  Not only did it provide information but, just as important, information that was vetted and edited for accuracy.   Although we didn’t realize it at the time, this town square aspect was vital to our hobby.

The world changed about fifteen years ago as the net started hitting overdrive.   The hobby press has faced enormous challenges since.  Whether it’s the Washington Post, Sports Illustrated, or Model Railroader, print circulation is in a steady decline across all interest groups.  Does this equate to decreased interest in Model Railroading?  Not necessarily.  SI’s 56% decline in newsstand sales since 2007 doesn’t mean the public is any less interested in watching the Super Bowl.

The arrival of the net created a massive dispersal of the hobby population as other information sources, all free and instantly accessible, became available.  At first we thought all of this was wonderful.  Unlimited information at our fingertips. What could be better?   After a decade of euphoria, reality is starting to unfurl and the flip side of the coin is slowly starting to emerge.     As Barry Schwartz wrote in the Paradox of Choice, more choices doesn’t mean better choices.  Whereas in the past we only had print now we have: YouTube, forums, blogs, websites, Facebook, etc.

How do you sift through the pile?  What is accurate?  What isn’t?   Sitting around on a Tuesday night and have the urge to look at some cool layouts?  You could Google “cool layouts” but god knows what would show up.  The majority are likely to be poorly photographed and short on lucid text.  There is no guarantee that such a search will yield the better players out there.  Have a technical question?  A search on the net gives you equal third probability of the following: average advice, great advice, and really poor advice.  The editorial value added of print or ezines starts becoming more and more apparent.

While Darwin’s law makes sense in most of the business world, that’s not always the case with the press.  Society needs dig deep investigative journalism, writing that digs beyond the typical “5 ways to do X”, bullet pointed, way that things are presented on the net.  Model Railroading is a community and one that’s health is dependent on a vibrant press.  Even if it’s from the standpoint of total selfishness, we all have an interest in the success of the big three.

So how do they turn it around?  To an extent any business (or person) largely brings their lot in life upon themselves and is responsible to find ways to fix the messes they’re faced with.  The hobby press, like the press in general, underestimated the impact of the net, was caught totally off guard, and fell way behind the curve.   It’s a combination of being nailed by technological advances like any industry (anybody use a typewriter anymore?), not seeing it coming, and being slow to respond.  The difference is that, while a typewriter has been replaced by something better, the model railroad press has not.  We have more stuff (information) but absolutely NOT better stuff.  It’s a dispersed mess, a witch’s brew.

How do they “fix” the problem?  Nobody really knows. Sports Illustrated, Vogue, The Washington Post, Model Railroader; everybody is in a mad scramble to adjust.  I will say it is a much, much harder task than we all might think.  A common gripe is that publication X doesn’t have inspiring layouts anymore.  Well, they can only print what is submitted.  Does anybody honestly think there is some mind blowing layout out there that was submitted and rejected?  C’mon, that defies common sense.  Another gripe is that Rockstar X’s work isn’t featured enough.  Here’s a newsflash, not all Rockstar X modelers are easy to work with.  Some are damn near impossible.  Finally, there are decent layouts out there can’t be presented in print because the layout owner won’t learn the basics of photography.  It’s a visual medium.  Without images, you can’t present the railroad in print.

Finally, do any of us really know if improved content will push circulation upward?   A good argument could be made that RMC’s V&O series was the pinnacle of model railroad journalism, probably the best ever served up.  For years I pressed those behind the scenes as to whether that resulted in increased circulation.  For a while everybody was pretty tight lipped.  Eventually the answers I got were: probably not, no, hard to say.  And what is “inspiring” anyway?  Birds of feather flock together.  What inspires you and I likely bores the hell out of mass segments of the modeling population.  You and I are a minority.  There are vast pools of modelers who are inspired by three tiers of viaducts stepped over one another while locomotives from different era’s cross over them and then dive into a tunnel.

To a large extent it will be up to them to sort it out and right the ship.  I would remind everybody that we are all part of a community and our long term health is dependent upon them doing so.  Am I suggesting that anybody subscribe to a magazine through some sense of charity?  No.  I will suggest that there are ways to either be a part of the solution or at least not make it worse.

Part of the solution?  A number of times a year I get photos of layouts that are of a quality level higher than what you typically see in the press.  Learn to take a passable photo and submit them.  Second, as community members, at a minimum, it’s our duty to at least not make the problem worse.  Complaining to your buddies at the hobby store is one thing.  It’s a whole new ballgame though when you take it online, in writing.  Online conspiracy rants about the magazines, magazine bashing on the forums, any form of non-objective written, destructive criticism online is toxic to the hobby.  Constructive criticism is just that.  If you don’t like what you see, write a letter to the editor; non-confrontational, totally objective, and explain what you would like to see more of and what you’d like to see less of.

We’ve already lost Rail Model Journal, Model Railroading, and Mainline Modeler.  How’s that working for us?  The model railroad press is too basic to our own self-interest to let it become a marginalized, bit player. Let’s not become too flippant about it or stick our head in the sand and think otherwise.

 

Background Flats

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Background flats can be challenging from the standpoint that they are frequently needed as part of the layout to backdrop transition but are also so easy to botch.  If not handled carefully they can be real scene busters and literally scream that you are looking at a model railroad.  A few slights of hand make them easier to pull off.  First, keep them low.  Second, hide the side edges.  Third, look for ways to add any depth you can.

The scene above is at the point South Everett Avenue meets the backdrop.  I introduced some perspective by printing it less than scale height, two inches in this case.  Both sides of the flat are screened by the foreground structures.

I did a few things to add some depth.  Rather than glue it directly to the backdrop I adhered it to a 1/16″ piece of plexiglass.  I also glued on some partially opened windows.  Finally, for additional forced perspective I put a 1/4″ sidewalk in front.

Here’s the base image for those that want to play around with it.

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Is It Worth It?

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Converted to N scale, my East Rail layout would tuck easily into a wardrobe closet

 

A few days ago, I received an email from Blake B.,  one of my blog followers, with the subject line above. “Is It Worth It?”.   In the body of the text he elaborated, “ The new condo I moved into has a back storage closet. I haven’t built a layout in a while and was looking to get back into it. The only problem is that it’s 4.5 x 4.5 feet. Do you think it’s even worth trying to build in HO in that tiny space?”

If ever there was a passage that summed up where so many others find themselves, this was it. For those of us that have been at this model railroad thing for a while we often forget how difficult and frustrating it is to make the transition from highly interested observer to participant.  How do you “do” this model railroad thing anyway?  Standing on the outside looking in, it must appear that you need a fair amount of real estate, established skills, and a fair amount of spare cash just to get started.  And get started where?  Sure if you’re a recreational beginner there are ample resources explaining how to build an achievable rail fan loop.  But what if you want a model of a railroad where convincing results can be obtained right out of the box?

To answer Blake’s question, yes it is worth it.  Action is always better than procrastination.  In fact, his situation provides a lot of opportunities.   Wardrobe closets are fully finished mini rooms with the added advantage that the door can be closed, hiding the untidiness of mid-stream projects behind said door.

What I’d suggest is at least a temporary switch to N scale.  This will allow enough space to get a fully operational layout built without too much compression.  Fine scale N is more challenging than HO so  when a larger space becomes available skills will already be developed.

As it turns out, if you convert my East Rail to N scale it will tuck right into that space.  I’d make the bench work a little higher to account for the smaller models.  Quick launches are important and to that end I’d temporarily mock up the track with Peco code 55, lightly tacked down with white glue.   All of the bench work could be finished, track placed, and trains made operational in one long weekend.  At that point you can then double back and gradually replace the rail with finer scale Micro Engineering code 40.  Scratch building skills could be developed and honed.  The same for hand laid track and fine scale scenery.  You could have one heck of layout in there.

 

Tom Klimoski’s Georgia Northeastern RR

GN4

Featured in the upcoming issue of Model Railroad Planning is community member Tom Klimoski’s Georgia Northeastern Railroad.  A sneak peak of this excellent layout is shown  in his recently produced YouTube video.  Shown below is his track plan.

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There are some great lessons to be learned from Tom’s efforts.  A few that stand out to me are:

  • The creative selection of a prototype.  Rather than following the heard, Tom selected a unique railroad that hasn’t been modeled much, if at all.  Here’s the GNRR business site.  If you click the “Routes” tab on the home page you’ll see a map of their territory.
  • Although he had room for a basement filling empire, he made the conscious decision to limit the layout to a nine foot by ten and half foot, purpose built room.  Doing so allowed for a more focused effort, made higher levels of finish and detail achievable, and at the same time allowed for steady  progress.  As you can see he doesn’t lack for operational interest.
  • Note, the abandoned structures, something that isn’t done nearly often enough and really makes the scenes look believable.
  • GN2
  • Selection of car spot oriented industries, such as Dow Chemical, create a lot of believable operational interest without taking up a lot of space.  Operations at Dow were documented in a previous issue of the Opsig’s quarterly publication, The Dispatchers Office
  • The use of placeholders allows him to test scene composition until scratch built structures can be constructed.
  • Tom also made the effort to tactfully contact the GNRR and establish a relationship with it’s employees which allows him to gain critically needed information on the prototype that you simply can’t get in an armchair.