Model Railroad Blog

The Flat Earth Society

Grades

The riser construction on this grade intensive commercial project was fairly involved.  Was the play value worth it?

 

If you look at my layout designs, you’ll notice that the vast majority of them have totally flat, grade free, track profiles.  I’ll insert vertical scenery elements above and below track level but the right of way is flat.  There is a reason for this.   With any design feature, there should be a relationship between the benefit the feature provides and the work involved in building it.  In most cases that doesn’t exist with grades.   Things that crop up are:

  • For reasons of mechanical reliability vertical transitions into and out of grades must be smooth.  This is just something else that needs to be dealt with.  For beginner modelers especially they already have enough on their plate.
  • What goes up must come down so you need to ‘close the loop’ vertically.
  • You can’t have spurs and yards on grades.
  • Although not super complex, the sub-roadbed riser construction is more involved.

All and all grades tend to be inefficient and disruptive because they squeeze out room that could be otherwise used for operational features such as industries and yards.  Unless you need the grade for operational reasons, such as pushers or matching a key feature on a prototype, I suggest skipping them.  They don’t pay the freight

LAJ Crossbucks

IMG_6293s

The LAJ had some unique crossbucks with a vertical sign labeled “Los Angeles Junction Ry” running down the post in a very distinctive font.  I started with a photo of one of their actual signs and printed it out.  To give it some depth I glued it to a painted piece of strip wood and then added two Tichy NBW castings.

MP&F Utility Shed

IMG_6280s

Just to the left of the main MP&F structure sits a small storage shed with a matching sawtooth roof.  Construction details:

  • Illustration board core
  • Windows are a photo of the actual structure’s windows printed to size.
  • Siding is from Builders In Scale.
  • Paint consists of Rustoleum Gray primer with a follow-up of white primer on the panels above the windows
  • Weathering was a light wash of India Ink and alcohol throughout, burnt umber artist oils on the roof and a touch of brown weathering chalk.

Here’s the prototype:

MPFb1