Model Railroad Blog

What Is “Accuracy”

 

Avoiding the Placeholder Trap

 

When we say something has been modeled accurately, what exactly do we mean?  Does it mean that we’ve performed a careful survey of the bristling details on a specific locomotive, documented them on an excel spreadsheet, tracked down said details, and meticulously applied them?  Can we go back, compare our model against the list, confirm that each detail has been neatly applied, and say our model is accurate?   Often not.  This is what I call the placeholder approach.

Let’s say your subject is a weather worn geep with spark arrestors.   Model A sports the stock manufacturers paint scheme.   After a considerably long catalog search you track down the spark arrestor but it is a fairly rough metal casting.  The casting has the correct dimensions so you apply it.  All of the grab irons match up but, as is the case with many injected molded parts, are slightly oversize.

Model B doesn’t have the spark arrestor but has been masterfully weathered with what has to be a half dozen subtle layers.  You replace the factory grabs with thinner ones but, for the sake of argument, let’s say you installed five grabs instead of the prototypically accurate six.  Five accurately sized grabs on model B verses the theoretically correct six (albeit oversize ones) on model A.

Which model is more accurate?   Most would say model A because each part on the prototype is represented with a placeholder on the model.   I’d argue that model B is more accurate.

Accurate color and accurate cross sections create far more visual impact than simply saying each part has been represented by a placeholder. Accuracy means accurate weathering and cross sections.

Take another example.  Let’s say your (somewhat obscure) prototype used RS-2’s.  Manufacturer A makes the RS-2 in your paint scheme but the tooling is an older generation, the side panels and hinges are a bit thick as are the grabs and hand rails.  Manufacturer B uses more modern casting technology and the details are ultra fine.  The problem is they only make an RS-3.  Which one do you purchase?  Theoretically model A is more accurate.   As before I’d go with model B.  Even though it isn’t theoretically prototypical, the cross sections of the parts carry more visual impact than whatever is or isn’t going on with the battery box differences on the two units.

One last example.  Let’s say you’re building a station for a modeling contest.  The prototype station windows are of the six pane variety.  You find commercially available six pane castings but, once again, they are fairly thick in cross section.  An ultra fine part is available with thin mullions but it has eight panes instead of six.  Which do you purchase?  Which will be judged more favorably in a contest?  I’d go with the eight pane part because correct cross sections are more important than including an element just to say it’s represented. (I’d also probably get a judging deduction!).

Veteran modelers eventually hit the point where they’ve mastered the basics of assembly skills as well as the ability to lay down a silk smooth layer of any base color.   They’ve also developed an eye for recognizing the most subtle of details and representing them with placeholders.   As a result they can win more than their fair share of contests.  That’s really only about half the way up the learning curve however.    The second half of the curve is much more challenging because you move from the objective task of “representing stuff” to the more subjective one of mastering color and weathering and developing the skill of modeling accurately thin cross sections.

 

The Accuracy Hierarchy (In order of importance)

1.        Color. Accurately capturing the color of your prototype goes far beyond matching the factory painted base color.  Painting a depot “buff” and calling it done or doing the same by painting a locomotive Brunswick Green won’t cut it.  Our subjects exist in the elements and, as a consequence, assume extremely complex and subtle color patterns.  Further complicating things, the transition between the colors are often finely feathered.  There is no way to short cut the learning curve.  Mastering color takes lots of reading, attending seminars, talking to accomplished modelers, and practice.

2.       Accurate cross sections.  You can’t solve a problem if you don’t know it exists.  The nature of injection molding and white metal casting is such that many of our parts are overly thick.   The more instances where you can replace the thick part with something of the correct size, the better the model will look.  Culprits on locomotives are: overly thick side panels and latches, grab irons, hand rails, cut bars, and air hoses.  On structures problem areas are: hand rails, window mullions, shingles, guy wires, conduits, and architectural moldings.

3.       Representation. (modeling each part that exists on the prototype).   I’m not suggesting that you shouldn’t model specific details if they exist on the prototype.  I’m saying that it’s third on the food chain in terms of visual impact.  It’s also wise to consider the old modelers adage, “no detail, is better than a bad detail”.  This means if the part you need only exists in crudely cast form, you might be better off omitting it from the model.

 

 

 

 

4722 South Everett

4722z

One of the more prominent structures seen in some of the LAJ YouTube videos is the faded gray two story on the southeast corner of S. Everette Avenue and the Horn Lead.  The colors and weathering are complex enough that I plan to use the photo laminate technique.  What makes that method a little more challenging here is that the windows are noticeably inset from the structure face.  To capture that relief I’ve modeled the insets in the core.  Since I need perfect alignment between the holes cut for the windows in the photos and the relief in the core, I had to print the photos, cut the windows in the photos and then use them as a guide to cut the openings in the core.

IMG_6131

Shown above is the completed core.  Notice that I’ve painted the edges of the insets the same light gray as the structure.

Our Hobby and the Press

MagCovers

 

If I had to pick one entity that is the lifeblood of our hobby, I wouldn’t even have to stop to think about it.  Without question, it’s the model railroad press, particularly Model Railroader, Model Railroad Hobbyist, and Railroad Model Craftsman.  The healthier the magazines are, the more robust their circulation, the better for the hobby as a whole. In the pre-net days the model railroad press served as the town square, the central rallying point for all of us.  It provided inspiration and leadership.  Not only did it provide information but, just as important, information that was vetted and edited for accuracy.   Although we didn’t realize it at the time, this town square aspect was vital to our hobby.

The world changed about fifteen years ago as the net started hitting overdrive.   The hobby press has faced enormous challenges since.  Whether it’s the Washington Post, Sports Illustrated, or Model Railroader, print circulation is in a steady decline across all interest groups.  Does this equate to decreased interest in Model Railroading?  Not necessarily.  SI’s 56% decline in newsstand sales since 2007 doesn’t mean the public is any less interested in watching the Super Bowl.

The arrival of the net created a massive dispersal of the hobby population as other information sources, all free and instantly accessible, became available.  At first we thought all of this was wonderful.  Unlimited information at our fingertips. What could be better?   After a decade of euphoria, reality is starting to unfurl and the flip side of the coin is slowly starting to emerge.     As Barry Schwartz wrote in the Paradox of Choice, more choices doesn’t mean better choices.  Whereas in the past we only had print now we have: YouTube, forums, blogs, websites, Facebook, etc.

How do you sift through the pile?  What is accurate?  What isn’t?   Sitting around on a Tuesday night and have the urge to look at some cool layouts?  You could Google “cool layouts” but god knows what would show up.  The majority are likely to be poorly photographed and short on lucid text.  There is no guarantee that such a search will yield the better players out there.  Have a technical question?  A search on the net gives you equal third probability of the following: average advice, great advice, and really poor advice.  The editorial value added of print or ezines starts becoming more and more apparent.

While Darwin’s law makes sense in most of the business world, that’s not always the case with the press.  Society needs dig deep investigative journalism, writing that digs beyond the typical “5 ways to do X”, bullet pointed, way that things are presented on the net.  Model Railroading is a community and one that’s health is dependent on a vibrant press.  Even if it’s from the standpoint of total selfishness, we all have an interest in the success of the big three.

So how do they turn it around?  To an extent any business (or person) largely brings their lot in life upon themselves and is responsible to find ways to fix the messes they’re faced with.  The hobby press, like the press in general, underestimated the impact of the net, was caught totally off guard, and fell way behind the curve.   It’s a combination of being nailed by technological advances like any industry (anybody use a typewriter anymore?), not seeing it coming, and being slow to respond.  The difference is that, while a typewriter has been replaced by something better, the model railroad press has not.  We have more stuff (information) but absolutely NOT better stuff.  It’s a dispersed mess, a witch’s brew.

How do they “fix” the problem?  Nobody really knows. Sports Illustrated, Vogue, The Washington Post, Model Railroader; everybody is in a mad scramble to adjust.  I will say it is a much, much harder task than we all might think.  A common gripe is that publication X doesn’t have inspiring layouts anymore.  Well, they can only print what is submitted.  Does anybody honestly think there is some mind blowing layout out there that was submitted and rejected?  C’mon, that defies common sense.  Another gripe is that Rockstar X’s work isn’t featured enough.  Here’s a newsflash, not all Rockstar X modelers are easy to work with.  Some are damn near impossible.  Finally, there are decent layouts out there can’t be presented in print because the layout owner won’t learn the basics of photography.  It’s a visual medium.  Without images, you can’t present the railroad in print.

Finally, do any of us really know if improved content will push circulation upward?   A good argument could be made that RMC’s V&O series was the pinnacle of model railroad journalism, probably the best ever served up.  For years I pressed those behind the scenes as to whether that resulted in increased circulation.  For a while everybody was pretty tight lipped.  Eventually the answers I got were: probably not, no, hard to say.  And what is “inspiring” anyway?  Birds of feather flock together.  What inspires you and I likely bores the hell out of mass segments of the modeling population.  You and I are a minority.  There are vast pools of modelers who are inspired by three tiers of viaducts stepped over one another while locomotives from different era’s cross over them and then dive into a tunnel.

To a large extent it will be up to them to sort it out and right the ship.  I would remind everybody that we are all part of a community and our long term health is dependent upon them doing so.  Am I suggesting that anybody subscribe to a magazine through some sense of charity?  No.  I will suggest that there are ways to either be a part of the solution or at least not make it worse.

Part of the solution?  A number of times a year I get photos of layouts that are of a quality level higher than what you typically see in the press.  Learn to take a passable photo and submit them.  Second, as community members, at a minimum, it’s our duty to at least not make the problem worse.  Complaining to your buddies at the hobby store is one thing.  It’s a whole new ballgame though when you take it online, in writing.  Online conspiracy rants about the magazines, magazine bashing on the forums, any form of non-objective written, destructive criticism online is toxic to the hobby.  Constructive criticism is just that.  If you don’t like what you see, write a letter to the editor; non-confrontational, totally objective, and explain what you would like to see more of and what you’d like to see less of.

We’ve already lost Rail Model Journal, Model Railroading, and Mainline Modeler.  How’s that working for us?  The model railroad press is too basic to our own self-interest to let it become a marginalized, bit player. Let’s not become too flippant about it or stick our head in the sand and think otherwise.

 

Background Flats

IMG_6130

Background flats can be challenging from the standpoint that they are frequently needed as part of the layout to backdrop transition but are also so easy to botch.  If not handled carefully they can be real scene busters and literally scream that you are looking at a model railroad.  A few slights of hand make them easier to pull off.  First, keep them low.  Second, hide the side edges.  Third, look for ways to add any depth you can.

The scene above is at the point South Everett Avenue meets the backdrop.  I introduced some perspective by printing it less than scale height, two inches in this case.  Both sides of the flat are screened by the foreground structures.

I did a few things to add some depth.  Rather than glue it directly to the backdrop I adhered it to a 1/16″ piece of plexiglass.  I also glued on some partially opened windows.  Finally, for additional forced perspective I put a 1/4″ sidewalk in front.

Here’s the base image for those that want to play around with it.

4524Base