….and here we have the completed structure. Stand off details include downspouts, lamps, dock bumpers and open window panes.
The coloring of the DPM sides encompassed a number of dry brushed layers. First was mortar, followed by dry brushing on a brick color. After that I dry brushed on a mix of brown and black Bragdon weathering chalks.
This structure will be a combination of traditional kit components (DPM for the sides) and photo laminates on the front and back. The photo laminates were needed as an effective way of handling the signage. The .060″ styrene you see for the roof and ends tends to de-stabilize and warp over time. To combat this I cut short sections of an aluminum yardstick and glue them to the back with CA.
The photo laminate you see is three photos stacked on top of each other to create depth. The bottom layer is gloss paper for the windows, the middle is the structure face itself, and the top is just the columns.
Looking at the BT track plan I’m going to start construction in the area that appears in the upper right of the track plan drawing. Next up is National Linen Supply across the street from the freight station. The challenge in capturing the feel of WW2 era structures is how to handle the signage. Printing the signs, cutting them out, and gluing them on won’t work and looks exceptionally cheesy. If you go that route the paper is too thick, the edges too obvious, and the lack of brick texture is apparent. Making your own decals will work but hoofing off to kinkos and begging them to run your decal paper through their (very expensive) machines gets old. That leaves the tried and true photo wallpaper technique which gives you the most control of the process. I downloaded an image from the net of an appropriate brick structure and squared the perspective up in photoshop.
The challenge was the sign itself which took the better part of an afternoon. I wanted a faded, peeling paint look with some of the bricks showing through. Photoshop font is too crisp so I used a blurring tool to soften the edges. The band is charcoal gray not black and the lettering is slate gray not white. Extending the column edge shadows down across the band completed the process.
One advantage of the Intermountain freight cars is that they feature stand off details such as ladders and grabs. The downside is that these details are grossly over-sized. I spent the weekend puttering around to see what upgrades might improve the look. I operate on the philosophy that no detail is better than a bad detail. With that in mind I shaved the roofwalk grabs off and left it at that. I didn’t want to spend a lot of time trying to fashion something thinner. Blma makes some nice etched ladders and stirrups so I pried the stock ones off and replaced them with the etchings. The IM trucks were replaced with much finer scaled products from BLMA. Although not noticeable from this angle, a lot of the underbody rigging was oversize so I just cut those pieces out, pitched them, and left them off. The side grab irons are .010″ phosphor bronze.
When I took down the old Monon layout, I kept all of the structures and carefully packed them away. At the time I had no clue how handy it would be to have them for the Brooklyn layout. Turn of the century brick architecture is as much of a fit for Brooklyn as it was for Bloomington, IN so they’re great candidates for recycling. Most are DPM either un-modified or kitbashed. When I originally built them,to save time, I only constructed the portions that would be visible from aisle, often just using a sheet of styrene for walls that wouldn’t be seen. Those styrene walls are turning out to to be a really nice blank canvas for photo wallpaper. I wasn’t sure how the photo laminate technique would work in N scale but I think it’s an even better fit than the larger scales because you want even less relief.