The Jack Delano photo above is an example of using contrast to emphasize a subject. Note how the white skyscraper stands out from its neighbors. Also notice that the neighboring structures are fairly similar in color. All of the hues are plausible. A key concept in art theory is that of directing the viewer’s eye,…
Color Layers & Color Spectrum
It’s safe to say I’ll never be accused of being a cultured art critic. That aside, in the last year I’ve had the chance to visit some of the more notable art museums on the east coast and attended a number of art festivals. The difference in a painting done by one of history’s masters…
Foreground Composition
One of the great planning fall backs is, when stuck, just copy the prototype. I’d been struggling with one aspect of composing the foreground structures. Specifically, if I put a row of foreground structures end to end on 50th street it would be difficult to see the background structures. The solution? Remove every other foreground…
Damn
Damn. The last thing I wanted to do was have to modify the bench work. After a few days of rationalization I swallowed the bitter pill, realized I hadn’t made it deep enough, and added an extension which adds three inches to the depth. In the continual quest to be more effective in our…
Urban Backdrop Transitions
The transition from layout to backdrop is dicey even under the best of circumstances. Moving from a three dimensional flat layout surface to a two dimensional backdrop surface perpendicular to the eye, typically leaves the viewer with the subconscious nagging that “this just isn’t real”. If we are lucky we model a rural area and can…
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