The Jack Delano photo above is an example of using contrast to emphasize a subject. Note how the white skyscraper stands out from its neighbors. Also notice that the neighboring structures are fairly similar in color. All of the hues are plausible. A key concept in art theory is that of directing the viewer’s eye, […]
It’s safe to say I’ll never be accused of being a cultured art critic. That aside, in the last year I’ve had the chance to visit some of the more notable art museums on the east coast and attended a number of art festivals. The difference in a painting done by one of history’s masters […]
One of the great planning fall backs is, when stuck, just copy the prototype. I’d been struggling with one aspect of composing the foreground structures. Specifically, if I put a row of foreground structures end to end on 50th street it would be difficult to see the background structures. The solution? Remove every other foreground […]
Damn. The last thing I wanted to do was have to modify the bench work. After a few days of rationalization I swallowed the bitter pill, realized I hadn’t made it deep enough, and added an extension which adds three inches to the depth. In the continual quest to be more effective in our […]
The transition from layout to backdrop is dicey even under the best of circumstances. Moving from a three dimensional flat layout surface to a two dimensional backdrop surface perpendicular to the eye, typically leaves the viewer with the subconscious nagging that “this just isn’t real”. If we are lucky we model a rural area and can […]